Broadway and the Mosque
In an effort to follow the discussion on the mosque being built near Ground Zero, I am copying the following post that I received via email today and am collecting feedback and comments on these. Feel free to leave your comments.
Broadway and the Mosque
By THOMAS L. FRIEDMAN
There are several reasons why I don’t object to a mosque being built near the World Trade Center site, but the key reason is my affection for Broadway show tunes.
Let me explain. A couple weeks ago, President Obama and his wife held “A Broadway Celebration: In Performance at the White House,” a concert in the East Room by some of Broadway’s biggest names, singing some of Broadway’s most famous hits. Because my wife is on the board of the public TV station that organized the evening, WETA, I got to attend, but all I could think of was: I wish the whole country were here.
It wasn’t just the great performances of Audra McDonald, Nathan Lane, Idina Menzel, Elaine Stritch, Karen Olivo, Tonya Pinkins, Brian d’Arcy James, Marvin Hamlisch and Chad Kimball, or the spirited gyrations of the students from the Joy of Motion Dance Center and the Duke Ellington School of the Arts performing “You Can’t Stop the Beat” — it was the whole big, rich stew. African-American singers and Hispanic-American dancers belting out the words of Jewish and Irish immigrant composers, accompanied by white musicians whose great-great-grandparents came over on the Mayflower for all I know — all performing for America’s first black president whose middle name is Hussein.
The show was so full of life, no one could begrudge Elaine Stritch, 84, for getting a little carried away and saying to Mr. Obama, seated in the front row: “I’d love to get drunk with the president.”
Feeling the pulsating energy of this performance was such a vivid reminder of America’s most important competitive advantage: the sheer creative energy that comes when you mix all our diverse people and cultures together. We live in an age when the most valuable asset any economy can have is the ability to be creative — to spark and imagine new ideas, be they Broadway tunes, great books, iPads or new cancer drugs. And where does creativity come from?
I like the way Newsweek described it in a recent essay on creativity: “To be creative requires divergent thinking (generating many unique ideas) and then convergent thinking (combining those ideas into the best result).”
And where does divergent thinking come from? It comes from being exposed to divergent ideas and cultures and people and intellectual disciplines. As Marc Tucker, the president of the National Center on Education and the Economy, once put it to me: “One thing we know about creativity is that it typically occurs when people who have mastered two or more quite different fields use the framework in one to think afresh about the other. Intuitively, you know this is true. Leonardo da Vinci was a great artist, scientist and inventor, and each specialty nourished the other. He was a great lateral thinker. But if you spend your whole life in one silo, you will never have either the knowledge or mental agility to do the synthesis, connect the dots, which is usually where the next great breakthrough is found.”
Which brings me back to the Muslim community center/mosque, known as Park51. It is proposed to be built two blocks north of where the twin towers stood and would include a prayer space, a 500-seat performing arts center, a swimming pool and a restaurant. The Times reported that Imam Feisal Abdul Rauf, the Muslim leader behind the project, who has led services in TriBeCa since 1983, said he wants the center to help “bridge and heal a divide” among Muslims and other religious groups. “We have condemned the actions of 9/11,” he said.
I greatly respect the feelings of those who lost loved ones on 9/11 — which was perpetrated in the name of Islam — and who oppose this project. Personally, if I had $100 million to build a mosque that promotes interfaith tolerance, I would not build it in Manhattan. I’d build it in Saudi Arabia or Pakistan. That is where 9/11 came from, and those are the countries that espouse the most puritanical version of Sunni Islam — a version that shows little tolerance not only for other religions but for other strands of Islam, particularly Shiite, Sufi and Ahmadiyya Islam. You can study Islam at virtually any American university, but you can’t even build a one-room church in Saudi Arabia.
That resistance to diversity, though, is not something we want to emulate, which is why I’m glad the mosque was approved on Tuesday. Countries that choke themselves off from exposure to different cultures, faiths and ideas will never invent the next Google or a cancer cure, let alone export a musical or body of literature that would bring enjoyment to children everywhere.
When we tell the world, “Yes, we are a country that will even tolerate a mosque near the site of 9/11,” we send such a powerful message of inclusion and openness. It is shocking to other nations. But you never know who out there is hearing that message and saying: “What a remarkable country! I want to live in that melting pot, even if I have to build a boat from milk cartons to get there.” As long as that happens, Silicon Valley will be Silicon Valley, Hollywood will be Hollywood, Broadway will be Broadway, and America, if we ever get our politics and schools fixed, will be O.K.
Broadway and the Mosque
By THOMAS L. FRIEDMAN
There are several reasons why I don’t object to a mosque being built near the World Trade Center site, but the key reason is my affection for Broadway show tunes.
Let me explain. A couple weeks ago, President Obama and his wife held “A Broadway Celebration: In Performance at the White House,” a concert in the East Room by some of Broadway’s biggest names, singing some of Broadway’s most famous hits. Because my wife is on the board of the public TV station that organized the evening, WETA, I got to attend, but all I could think of was: I wish the whole country were here.
It wasn’t just the great performances of Audra McDonald, Nathan Lane, Idina Menzel, Elaine Stritch, Karen Olivo, Tonya Pinkins, Brian d’Arcy James, Marvin Hamlisch and Chad Kimball, or the spirited gyrations of the students from the Joy of Motion Dance Center and the Duke Ellington School of the Arts performing “You Can’t Stop the Beat” — it was the whole big, rich stew. African-American singers and Hispanic-American dancers belting out the words of Jewish and Irish immigrant composers, accompanied by white musicians whose great-great-grandparents came over on the Mayflower for all I know — all performing for America’s first black president whose middle name is Hussein.
The show was so full of life, no one could begrudge Elaine Stritch, 84, for getting a little carried away and saying to Mr. Obama, seated in the front row: “I’d love to get drunk with the president.”
Feeling the pulsating energy of this performance was such a vivid reminder of America’s most important competitive advantage: the sheer creative energy that comes when you mix all our diverse people and cultures together. We live in an age when the most valuable asset any economy can have is the ability to be creative — to spark and imagine new ideas, be they Broadway tunes, great books, iPads or new cancer drugs. And where does creativity come from?
I like the way Newsweek described it in a recent essay on creativity: “To be creative requires divergent thinking (generating many unique ideas) and then convergent thinking (combining those ideas into the best result).”
And where does divergent thinking come from? It comes from being exposed to divergent ideas and cultures and people and intellectual disciplines. As Marc Tucker, the president of the National Center on Education and the Economy, once put it to me: “One thing we know about creativity is that it typically occurs when people who have mastered two or more quite different fields use the framework in one to think afresh about the other. Intuitively, you know this is true. Leonardo da Vinci was a great artist, scientist and inventor, and each specialty nourished the other. He was a great lateral thinker. But if you spend your whole life in one silo, you will never have either the knowledge or mental agility to do the synthesis, connect the dots, which is usually where the next great breakthrough is found.”
Which brings me back to the Muslim community center/mosque, known as Park51. It is proposed to be built two blocks north of where the twin towers stood and would include a prayer space, a 500-seat performing arts center, a swimming pool and a restaurant. The Times reported that Imam Feisal Abdul Rauf, the Muslim leader behind the project, who has led services in TriBeCa since 1983, said he wants the center to help “bridge and heal a divide” among Muslims and other religious groups. “We have condemned the actions of 9/11,” he said.
I greatly respect the feelings of those who lost loved ones on 9/11 — which was perpetrated in the name of Islam — and who oppose this project. Personally, if I had $100 million to build a mosque that promotes interfaith tolerance, I would not build it in Manhattan. I’d build it in Saudi Arabia or Pakistan. That is where 9/11 came from, and those are the countries that espouse the most puritanical version of Sunni Islam — a version that shows little tolerance not only for other religions but for other strands of Islam, particularly Shiite, Sufi and Ahmadiyya Islam. You can study Islam at virtually any American university, but you can’t even build a one-room church in Saudi Arabia.
That resistance to diversity, though, is not something we want to emulate, which is why I’m glad the mosque was approved on Tuesday. Countries that choke themselves off from exposure to different cultures, faiths and ideas will never invent the next Google or a cancer cure, let alone export a musical or body of literature that would bring enjoyment to children everywhere.
When we tell the world, “Yes, we are a country that will even tolerate a mosque near the site of 9/11,” we send such a powerful message of inclusion and openness. It is shocking to other nations. But you never know who out there is hearing that message and saying: “What a remarkable country! I want to live in that melting pot, even if I have to build a boat from milk cartons to get there.” As long as that happens, Silicon Valley will be Silicon Valley, Hollywood will be Hollywood, Broadway will be Broadway, and America, if we ever get our politics and schools fixed, will be O.K.
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